STAND. COM. REP. NO. 1335
Honolulu, Hawaii
, 2001
RE: S.C.R. No. 63
S.D. 1
Honorable Robert Bunda
President of the Senate
Twenty-First State Legislature
Regular Session of 2001
State of Hawaii
Sir:
Your Committee on Hawaiian Affairs, to which was referred S.C.R. No. 63 entitled:
"SENATE CONCURRENT RESOLUTION REQUESTING THE ADOPTION OF AN OFFICIAL STATE TARTAN,"
begs leave to report as follows:
The purpose of this measure is to adopt an official state tartan.
Testimony in support of the measure was received from the Celtic Pipes and Drums of Hawaii and the designer of the tartan. The State Foundation on Culture and the Arts supported the intent of the measure with reservations.
Your Committee finds that one of the most important symbols of Scottish and Irish culture is the tartan, which signifies a common bond between people. Your Committee also finds that Hawaii has a strong and flourishing Scottish and Irish heritage which has been ever-present since the early days of the monarchy. Today, these communities are embodied in their many local organizations and institutions including the Hawaii Handweavers Hui, the Caledonian Society of Hawaii, the Celtic Pipes and Drums of Hawaii, the Scottish Country Dancers Association, Hawaii Thistle Pipe Band, the St. Andrews Society, the Scottish Association, the Scottish Rite Cathedral, the Celtic Catholic Church, the Khanate of the Golden Horde, the Society for Creative Anachronism, the Friendly Sons of St. Patrick, Clan Na Gael, and others.
In 1997, the Hawaii Handweavers Hui, in association with the Caledonian Society, conducted a public plebiscite at the state Highland Games on selecting a tartan for Hawaii. At the plebiscite, a design prepared by Douglas Herring received overwhelming support by the public. The winning tartan reflects the colors of Hawaii: blue for its oceans and skies, green for its forests and landscapes, brown for the 'aina, the life-giving soil, and red and yellow for its royal legacy and fiery origins.
Your Committee further finds that what makes tartans unique are their proprietary thread counts. In this case, the thread count for the tartan designed by Douglas Herring is: B/8 (blue), R4 (red), Y4 (yellow), B48 (blue), T16 (brown/tan), G40 (green), Y4 (yellow), and R/6 (red).
According to testimony submitted to your Committee, many states including Washington, Texas, Maine, Idaho, Georgia, North Carolina, and South Carolina, and the United States itself have all adopted tartans for their citizenry.
Your Committee believes that the adoption of an official state tartan transcends its historical roots and would serve as the embodiment of a unified community within the State of Hawaii.
Your Committee has amended the measure by substantially recasting its body to:
(1) Reflect a more universal cultural ownership of the tartan if it is adopted as an official tartan of the State;
(2) Clarify that the designation of this particular tartan as an official tartan of the State does not exclude the possibility of adopting other tartan patterns as official tartans of the State;
(3) Request that the State Foundation on Culture and the Arts assist, on behalf of the State, the Caledonian Society with any tartan registration applications made to the Scottish Tartans Society in the Hall of Records of the Highland Heritage Museum Trust at Pitlochry, Perthshire, Scotland, and the Scottish Tartan Authority in Perthshire, Scotland;
(4) Limit the authority provided to the State Foundation on Culture and the Arts to assist on behalf of the State to ninety days after the adoption of the measure; and
(5) Ensure that no public funds are expended to register the tartan.
As affirmed by the record of votes of the members of your Committee on Hawaiian Affairs that is attached to this report, your Committee concurs with the intent and purpose of S.C.R. No. 63, as amended herein, and recommends that it be referred to the Committee on Education, in the form attached hereto as S.C.R. No. 63, S.D. 1.
Respectfully submitted on behalf of the members of the Committee on Hawaiian Affairs,
____________________________ JONATHAN CHUN, Chair |
||